Written Component – Position through contextualising

References:

  1. Banner, F. (1997) The Nam [Artist’s book].
  2. Frampton, H. (1970) Zorns Lemma [Film]. USA.
  3. Niu, Jun Qiang (2020) Reveal [Video installation].
  4. Palmer, Ollie (2016) 24fps Psycho [Video / digital work].
  5. Marker, C. (1983) Sans Soleil [Film]. France.
  6. Hito Steyerl (2013) How Not to be Seen. A Fucking Didactic Educational .MOV File [Video / digital work]
  7. Gordon, D. (1993) 24 Hour Psycho [Video installation]. London: Hayward Gallery. Text:
  8. Barthes, R. (1977) ‘Rhetoric of the Image’, in Image Music Text. London: Fontana Press, pp. 32–51.
  9. Drucker, J. (2020) ‘Introduction’ and ‘Semiotics, Materiality, and Typographic Practice’, in The Visible Word: Experimental Typography and Modern Art, 1909–1923.
  10. Lust, M. et al. (eds.) (2020) Conditional Design Workbook. Amsterdam: Valiz.
  11. Flusser, V. (1983) ‘The Apparatus’, in Towards a Philosophy of Photography. London: Reaktion Books.
  12. Steyerl, H. (2012) ‘In Defense of the Poor Image’, in The Wretched of the Screen. Berlin: Sternberg Press, pp. 31–45.

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